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Directed by Gregg W. Brevoort



TSF’s ‘Two Gents’ pleases full house
By J. Louise Larson

– “Brought the audience to its feet!”

Shakespeare’s “The Two Gentlemen of Verona” makes for fine time travel.

Showcased in a blend of an Italian manor and a 1930s Hollywood night club setting, complete with palms, the piece runs longer than the play by itself might as the orchestra comes on stage in what is not, strictly speaking, a musical.

Look for songs of the 1930s era sung by “chanteuse” Angela Shipley, (“Henriette” of “The Learned Ladies”) who had a similar singing role in last year’s TSF production of “Love’s Labors Lost.”

While trio members Jane Allen (piano), Dan Spivey (drums) and Kevin Kelley (upright string bass) pretty much fade into the woodwork except for their stellar musicianship, Shipley, clad as bombshell blonde, interacts charmingly with the production, and belts out some 16 range-challenging tunes like “Fools Rush In,” “My Funny Valentine,” “You Go To My Head,” “What’ll I Do?” and “Night and Day.” (The whole cast gets in on a final number, which brought the audience to its feet Friday.)

Gentlemen abound in the piece, which focuses on the fortunes of the titled two.

“Valentine,” played by Luke Eddy, adores Sylvia – played exquisitely by Eddy’s real-life fiancée, the versatile Emily Brooks, in a neat bit of casting.

Then again, all the casting is neat.

The other gent, the fickle “Proteus,” is played by Max Gordon Moore, who charms as the charlatan Trissotin in the TSF production of Moliere’s “The Learned Ladies.”

In the role of “Julia,” Meaghan Sullivan again gets her chance to blend into the role of a woman dressing as a man in a journey to true love.

As “Speed,” Nathan Winkelstein reprises the witty servant role he pulls off delightfully in “The Learned Ladies.”

Andrew Goldwasser, wellcast as the hen-pecked husband in “The Learned Ladies,” is a hoot as “Thurio” the overblown suitor to Sylvia.

As the woebegone fool “Lance,” Anand Nagraj holds his own skillfully against the dog “Crab,” Shakespeare’s only canine character. The dog’s arrival on stage is electrifying for the audience, which sat silent and riveted to actress Ella Jo’s big brown eyes and amazing stage presence. There is clearly a warm relationship between the two actors – one human, one fourlegged.

It’s not a “speaking” part for Ella Jo.

Other strong turns in the cast include Clark Stevens as the “Duke of Milan,” Jason Richards as “Sir Eglamour,” the clowning outlaw band of Zachary Layner, Scott Michael Gibbs, Jacob Louis Grubb, Greg Beam and Aidan Eastwood-Paticchio.

Look out for Andi Dema as the host and Milan innkeeper, Diedre Cantrell as “Ursula,” dancers Rob Sniffin and Kristyn Chalker, who is also “Lucetta,” Julia’s vivacious lady-in-waiting.

The production was directed by Hollywood talent Gregg W. Brevoort, who recently directed the Garry Marshall hit, “Souvenir.”

“In our production, in keeping with an emerging TSF tradition, we have found that the music of the 1930s perfectly captures the passion and the foolishness of Love, and seems to comment splendidly and elegantly on the play and its proceedings,” Brevoort wrote in his Director’s Notes.

“’Fools Rush In’ … seems especially appropriate – and not just because ‘Two Gents’ contains two of Shakespeare’s greatest fools, Speed and Lance, but because ALL of the characters in the play (and frankly, anybody who has ever been in love) could equally be regarded as such,” Brevoort said.

The 25th season of the Texas Shakespeare Festival continues through Aug. 1.

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